Fujifilm · The translation library
5 translations · Continually expanded
Every recognisable film, grade, or preset broken down into what makes it feel like itself — and the Fujifilm recipe that translates it straight out of camera.
Film stocks
3 entries
The most-requested film look on any camera, period. Soft contrast, honest skin tones, a gentle golden lean. Here's what makes Portra 400 feel like Portra 400 — and the Fujifilm recipes that translate it onto an X-Trans body.
The most decorated colour positive in photographic history. Saturated reds, deep blues, a held-back midtone — the look that defined twentieth-century travel reportage. Here's what made Kodachrome feel like Kodachrome, and the Fujifilm recipe that translates it onto X-Trans.
The cult film of night photography. Tungsten-balanced for street neon, famous for the red halation glow around every bright light. Here's what makes CineStill 800T feel like CineStill 800T — and the Fujifilm recipe that translates it without the actual film.
Cinema looks
2 entries
Pastel pinks and turquoise greens. Centred symmetry. A dead-on, mid-distance camera. The Wes Anderson palette is one of the most-imitated in twenty-first-century cinema — here's what the colour grade actually does, and the Fujifilm recipe that translates it for stills.
The Roger Deakins colour grade that pushed two thousand teal-orange wedding photos into existence. But the Blade Runner 2049 palette is more than the cliché — here's what the cinematography actually does, and the Fujifilm recipes that translate it for stills.